Krita app

Krita Windows 5.3.3

Free, open-source digital painting and 2D animation software with a multi-engine brush system, an animation timeline, and a Python plugin API.

Download for Windows 5.3.3 · 156.64 MB
Windows updated July 29, 2026
Free · Freeware
9,435 downloads
Windows size 156.64 MB
4.3

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Very good 8 user ratings
Listed in our directory since 2026
Developer: KDE
Page updated May 18, 2026

Overview

Krita is a raster art workspace for painting, illustration, comics, texture work and hand-drawn animation. It combines a canvas with brush engines, layers, masks, vector shapes, assistants and color-management controls. Krita edits pixels and project structure inside its own document format; it is not a page-layout package, and its animation tools build drawings frame by frame rather than generating finished motion automatically.

KRA keeps the project

A working document should remain in Krita’s KRA format. KRA retains layers, masks, animation frames and other editable material that a flat PNG or JPEG cannot store. Export creates a delivery copy for a website, printer or another program, while the open document continues under its original working name.

Saving directly into a limited exchange format can discard unsupported project data. Krita warns about those losses, but a warning cannot restore layers after the only working copy was replaced. Keeping the KRA file and exporting a separate copy makes later corrections possible.

Autosave is not history

Krita creates periodic autosave data, and a crash can trigger a recovery prompt at the next launch. A normal close without saving has a different result: Krita removes the autosave and the unsaved work disappears. Autosave protects against interruption, not against choosing to discard changes.

On Windows, an unnamed autosave can sit in the temporary folder. Disk-cleaning utilities may remove it after a crash before Krita has a chance to recover it. Ordinary backups and incremental versions are more dependable milestones. Incremental backups consume extra storage, but they preserve earlier states instead of continually replacing one backup.

Brushes carry settings

A brush preset combines an engine with size, opacity, spacing, texture and input behavior. Changing the preset can alter more than the visible tip. It also reads tablet pressure when the device and driver expose it correctly, so a stroke made with a mouse does not test the same input path.

Imported brush bundles can crowd the resource list or use assets that look different under another color space. Tagging a smaller working set is easier than loading every downloaded pack. A preset also does not embed the artist’s original source texture outside the resource system unless the bundle was assembled correctly.

Color needs a profile

Krita associates image data with a color model, bit depth and profile. ICC management translates colors between the document, display and output device. OCIO handles a separate class of look-up-table workflows used in visual production.

A wide-gamut document can look dull or over-saturated in a viewer that ignores its embedded profile. Converting color space changes pixel interpretation; merely assigning another profile changes the meaning without the same conversion. The intended web or print destination should guide export, and a second viewer should check the final file.

Animation uses memory

Krita’s animation workspace exposes a timeline, onion skins, animation curves and storyboards. Each raster frame consumes memory. Long sequences, large canvases and many full-size layers can fill the memory limit, slow playback and prevent the final render.

The official manual recommends splitting larger work into shots, cropping layers to the canvas and reducing color depth where full color is unnecessary. A frame sequence is often safer than one long encoded video because completed frames remain usable if encoding fails. Audio can guide timing, but Krita remains a drawing-centered animation editor.

Workspaces change the view

Workspaces save arrangements of dockers, while sessions can remember opened images and windows. Switching to an animation or painting workspace does not delete tools; it changes which panels are visible. A missing docker may therefore be hidden by the current workspace rather than removed.

Krita can be adapted deeply, but that freedom makes an unfamiliar layout hard to diagnose. Saving a personal workspace after the main panels are stable gives the user a reliable return point. Backing up the preferences and shortcut files preserves customization separately from the artwork itself.

Key Features

  • Multiple brush engines for different media
  • Layer groups with masks and blending modes
  • Vector layers with text and shape tools
  • Animation timeline with onion-skinning
  • Wrap-around mode for tiling textures
  • ICC color management
  • Python scripting console
  • Importable resource bundles for brushes and palettes

Strengths and limitations

Strengths
  • Free and open source under the GNU GPL 3.0, with no paid tiers or locked features
  • Brush system spanning pixel, smudge, filter, and color-smudge engine types
  • Supports 8-bit, 16-bit integer, and 16/32-bit floating-point color per channel
  • Frame-by-frame animation timeline with onion-skinning built in
  • Python 3 plugin API plus a community library of brush packs and scripts
Limitations
  • Steeper learning curve than entry-level editors because the toolset targets painting
  • Photo retouching and RAW workflows trail Photoshop and Affinity Photo
  • Canvas response slows on documents above 8K resolution with integrated graphics
  • No built-in cloud storage or shared-project collaboration

System Requirements

Minimum
OS Windows 8.1/10/11 64-bit, macOS 10.14 or later, Linux 64-bit
CPU 64-bit processor with SSE2
RAM 4 GB
GPU GPU with OpenGL 3.0 support
Storage 300 MB

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